Betty Edwards L Arte Del Colore Pdf

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LBetty Edwards L'arte Del Colore Pdf

Download Exfat Driver Windows 7. Millions of people have learned to draw using the methods of Dr. Betty Edwards's bestseller The New Drawing on the Right Side of the Brain. Now, much as artists progress from drawing to painting, Edwards moves from black-and-white into color. This much-awaited new guide distills the enormous existing knowledge about color theory into a practical method of working with colo Millions of people have learned to draw using the methods of Dr. Betty Edwards's bestseller The New Drawing on the Right Side of the Brain.

Now, much as artists progress from drawing to painting, Edwards moves from black-and-white into color. This much-awaited new guide distills the enormous existing knowledge about color theory into a practical method of working with color to produce harmonious combinations. Using techniques tested and honed in her five-day intensive color workshops, Edwards provides a basic understanding of how to see color, how to use it, and-for those involved in art, painting, or design-how to mix and combine hues. Though this book is now ten years old, it is invaluable for beginners who want a working knowledge of color. Edwards teaches us succinctly and clearly just enough theory and then puts a paint brush in our hands and provides a series of graduated exercises. Edwards bases her approach to color on brain science, specifically the observation that the brain longs for balance and creates after-images that are complements in hue, value, and intensity to the initial image.

The exercises that she has desi Though this book is now ten years old, it is invaluable for beginners who want a working knowledge of color. Edwards teaches us succinctly and clearly just enough theory and then puts a paint brush in our hands and provides a series of graduated exercises. Edwards bases her approach to color on brain science, specifically the observation that the brain longs for balance and creates after-images that are complements in hue, value, and intensity to the initial image. The exercises that she has designed bring all of these concepts alive and embed them in consciousness.

Edwards takes nothing for granted when she coaches. For example, she teaches that in pigments there is no true blue or true red.

These two hues have trace chemicals that cause problems in mixtures with other pigments. As a result, painters need both a warm and a cool red as well as a warm and a cool blue. The first exercise that Edwards introduces is creating a color wheel (hue). Next, a value wheel and several intensity wheels help to sharpen understanding of the other two attributes of color. Then students move on to the major project that illustrates the themes that Edwards has developed. This project, Edwards writes, is “like a musical fugue with a theme that is stated and then restated with variations.” Having chosen a pleasing piece of fabric or wrapping paper, the student recreates it, first matching the colors used, then creating a section with the complements to the original colors, another section with opposite values, and a third section with opposite intensities, then repeating the original hues. Interestingly, several student projects have been bought right off the walls of California State University at Long Beach, a highly unusual happenstance, and something Edwards attributes to the balance achieved by this method.

In the final chapters of the book Edwards takes on the problems of color constancy and simultaneous contrast. Both of these technical terms have to do with the difficulty the brain has in actually registering the color that the retina sees. She provides guidance and exercises in her trademark economy and clarity. Dvstorm-rt Windows 7 Driver.